30 Paintings in January 2015 - Collage, Completed by a Great Friend!

Thank you, dear friend

I want to thank my dear friend, Carol Edan, who actually took on the challenge of creating my collage for me after she had already done two of her own, one for her 30 in 30 paintings and one for her reference photos.  You can see her collages on her blog.

Carol knew I wasn't planning to make a collage this time.  I just felt I had put enough time into the challenge and now it was time to clean the house and focus on family.  Carol and I have met only via our cyber art world; in fact, she lives in Israel...but she is a  constant support to me, and I just loved the art she created this past 30 days.  She did scenes from a spa she goes to and used a form of artist crayons (Neocolor I Wax Pastels to be precise--different than my oil pastels) as her medium.  Check her out and say hello!

Where Does this Blog go from Here?

My last post was my "Celebrate" and "Congratulations" post, so for this one, I want to address where do I go from here.

I am feeling much more committed to regular blogging than before this challenge, so you will be hearing from me on a regular basis.  Probably not daily though :-)  But at least weekly.

I will start with showing you the soft pastel paintings that I did in December and never blogged about.  Meanwhile, I want to take what I have learned with the oil pastels and expand upon it.  For one, I will be painting more oil pastel paintings.  Secondly, I want to see how concepts I taught myself with the Oil Pastels can be applied to acrylic painting.

 Artistic Freedom

I have also made a wholehearted commitment to myself that I will not pigeon-hole myself or put myself in a box with my art. An artist is "supposed to" create one cohesive, identifiable style.  So, I'm going to be going against the grain for awhile; there is a shift happening.

I will create what I feel inspired to create each day, even if I'm working in various "styles."  It's all still me.  Perhaps I will eventually settle back down to use one medium, one subject matter, or one "look," but I am not seeking that kind of self-definition unless it just happens.

I stated at the beginning of this 30 Paintings in 30 Days Challenge that my theme was "Artistic Freedom." I did not foresee, but I know now, that once you grant yourself that kind of Freedom, you never want to let it go!

Lots is brewing around in my mind...I am off to the studio today and hope you are following your heart, too, wherever it may lead.

"Where Will You Go From Here?" Oil Pastel - 30 Paintings in January 2015

Oil Pastel, 3x4"

$30 plus shipping

Purchase Here

The title of this painting is my question for all of us:  "Where Will You Go From Here?"  

We have had a great run with lots of ups and downs, and as this 30 Paintings in 30 Days Challenge comes to an end, there is a risk of feeling like we are losing something.  Which is always a possibility.  

But so much potential exists for gaining something!  New art friends, new painting methods, new studio habits, and in my case, even a new painting medium...

Let us keep the best of this Challenge going indefinitely and let go of what does not serve us (the pressure to perform).  Let us stick together and continue to support each other as we have through these 30 Days.  

I will look forward to seeing where you all go from here!

Personal Painting Note

I wanted to tell you what happened to me with this painting.  The past few days, I have been very weary of the Challenge and noticing the same happening to many other 30 in 30ers.  I had a migraine last night, so I used one of my "paint-ahead" paintings for my post for yesterday and fully expected I would do the same for the final two posts, today and tomorrow.

Once I released myself from the pressure of having to come up with two more paintings, I did some cleaning at my house and then headed...to the studio!  Where I painted not only the above painting, but also another for the final day's post.  It seems I personally do better when painting feels like a "want to" not a "have to."   Letting myself off the hook brought me right back around to my art!

"Lavender Farm Red Variation" Oil Pastel - 30 Paintings in January 2015

Oil Pastel, 2.5 x 3.5"

This is a variation of yesterday's painting, and I have a couple more to show you coming up soon.  These are actually the first oil pastel paintings I did.  I have learned so much about oil pastels since these first ones, including be careful how you remove the paintings from your board--wash your hands first!  You can see how I boogered this one up in the upper left corner while removing it from the drawing board.  I'm going to try to fix this one up before I offer it for sale.

How to Remove Animal Hair from an Oil Pastel Painting
These Oil Pastel Paintings are never really dried or  hardened.  If you have purchased one of mine, I encourage you to get it behind glass as soon as you can.  Especially if you have pets in the house.  If an animal hair gets on it, it will seemingly stick.  If you  need to remove the hair, the best way I have found is to use the corner of a piece of paper almost parallel to the painting.  Just try to get the corner to move the hair or to go under the hair slightly.  Once it pulls away from the painting, you can lift it up.  Using the paper corner is far preferable than trying to use your fingers or a tweezer--both will potentially dig into the painting and change it!  If you use patience and the corner of a piece of paper, I think you will have the best results.

Kudos to the 30 in 30ers
My congratulations to you all!  I am so proud of you and hope you are proud of yourselves.  Some of you faced other challenges in addition to painting 30 Paintings in 30 Days, such as trying to paint around a full-time job (like me), painting with health challenges, painting with heavy-duty family responsibilities, and other challenges I am failing to mention.  You deserve so much credit!

Blogger Question and Tip
I am posting this on Thursday morning around 9:30 am, so I am imagining those of you Watchers who are subscribed will receive the email of the post around 9:30 pm EST.  Up until now, I have been doing my posts the night before and scheduling them for 12:30 a.m.--that's why you have been receiving notifications around noon, EST.  The question is:  Why does Blogger wait about 12 hours to send out notifications of a post?  Blogger is able to handle everything else instantly, why the delay in the notification email?

And artist bloggers, here's a tip:  If you are not already subscribed to your own blog, you might want to consider signing up.  It's very enlightening to receive your own email notifications and see for yourself exactly when they are being delivered.

Thanks for Watching...I'm off to paint--well, I may clean for awhile first :-)

"Long Hair" Acrylic - 30 in January 2015

 Acrylic, 8x6"

Now I've done it!  I've gone and ruined any semblance of unity my end-of-the-30-in-30-Challenge collage was going to have.  Throwing Acrylics into the mix after all those Oil Pastels!  Wasn't it enough that I was using all different dimensions, let alone all different sizes?  Couldn't I have been smart like my good friend Carol, who is using not just all squares, but all squares of the same size????  I may not even be able to make a collage work, with all these different dimensions (it has happened before!). (btw, I think I said something similar about my friend Sharon's collage last year.  I missed her terribly during this 30 in 30.  She couldn't join us this time, because she was too busy running her own art gallery, the River Run Gallery and Fun Art Studio in Carrollton Kentucky).

Why did I do it?  Oh, yeah, remember my theme?  Artistic Freedom?  I had a yearning...for my acrylics...so I made space for them today...and opened up the Pandora's box of my heart.  Because as I have said before, what I really want to paint is people.  So, here I go...I hope!

Not putting this one up for sale, because I need it as a study.  Happy to show it to you, though...

This was my first time painting in Acrylics in two  months,  I realized, because I have spent the past two months with gouache, soft pastels, and oil pastels.  Acrylics and I need to get reacquainted.  It is not like riding a bicycle, at least not for me.

Thanks for being here, everyone, and hang in there 30 in 30ers...

"Tree Dance" Oil Pastel

Oil Pastel, 3.5 x 2.5"

$15 plus shipping

Purchase Here

Now that we are "over the hump," I want to ask my artist friends, "How are you doing?"  Is everybody ok?  Still taking good care of yourselves, body and soul?

How are you doing with your painting?  Are you painting what you really want to be painting?  Taking risks?  Learning new things?

Are you giving yourself the freedom to be the painter you truly want to be?

These are the things I've been wondering...

"Forest by Moonlight" Oil Pastel - 30 Paintings in January 2015

Oil Pastel, 3.5 x 2.5"

SOLD (Thank You!)

I am now utterly fascinated with this incredible medium of Oil Pastel.  I know I'm a beginner, but I have a tip to share.  If you're going to scrape with a razor blade like I do, put some tape on the holding end before you start.  Once you start using the blade, it gets dirtied by the colors and it's hard to know which side is the sharp side if you put it down and pick it up again.  I have a bunch of teeny little cuts on my blade holding finger.

I said little cuts, Mom!  No blood involved...

And now, with my mother hopefully sufficiently reassured, I bid you all a good night's sleep and Happy Painting!  And as always, thanks for Watching...

Magenta Forest Oil Pastel - 30 Paintings in January 2015

Oil Pastel, 6x6"

$50 plus shipping

Purchase Here

Well, I'm back in the saddle again after my computer crashed a few days ago.  Thank you all for returning to visit after the interlude.  I purchased a new (used) laptop.  You could say it's on borrowed time right now...I have 30 days to decide whether to keep it.  That should at least get me through the rest of this 30 Paintings in 30 Days Challenge.

I did continue to paint while I was off-line.  Not sure how to catch you up on those.  Maybe I'll do a post with them or maybe skip them so these can be in synch with my DPW and Leslie's blog. 

This oil pastel painting is another one that started totally and completely different than what you see here.  What you see here is kind of what the background of the original painting looked like.  I decided I liked the background effect best, so I lost the foreground.  These OPs are amazing for making alterations, that's for certain.  

This is one of those occasions where the photo simply will not do justice to the painting...I guess that's one thing that hasn't changed from the last computer!

Anyhow, new computer, no bookmarks, hope I can find you all again...thank goodness for Feedly...

Happy Painting, everyone!

30 Paintings in January 2015 - Happy New Year!

 Oil Pastel 5.265 x 5.265" (to be precise!)

$45 plus shipping

Buy Now

Happy New Year, everyone!  Today is the first day of the 30 Paintings in 30 Days Challenge hosted by Leslie Saeta of the Artists Helping Artists Radio Show.  I am having a terrible time with computer tonight, so better sign off now, while I can.  I will be painting....not sure I'll be able to be blogging...depends on how my computer behaves!

Bright times for you all for 2015...

Thanks for Watching!

Determination

Acrylic, 6x6"

BID HERE IN THE DPW AUCTION

Starting Bid is $65, unframed

I'm showing these to you a little out of order.  The one above was actually painted just before I did a more simplified version that you may have already seen in this post, where I introduced my present project.

As always, I thank you for Watching!

A New Trajectory

Acrylic 6x6"

I have decided to focus on landscapes for awhile, not to become better at capturing the landscape, but to become better at CREATING the landscape.   I want to learn how to paint from my mind's eye, rather than from life or photo reference.   I plan to come up with five to ten simple landforms and paint them repeatedly until the process of painting feels more what I intend for it to be.

My idea was to start with a neutral-colored monochromatic.  Actually, that is not true, I painted a few abstracted landscapes with all kinds of color a few days ago (will show you soon), but then decided I needed to back up and learn more about color.  I figured that if I started with the neutrals, eventually  I would just be aching to put a certain color in a certain spot, and then I would be on my way!

It actually happened sooner than I thought it would--today, in fact.  I think I painted a total of five of these monochrome landscapes over the past couple days, and today, I just had to have some color!  I will show you soon...it's drying now, and I don't want to put it on the scanner while it may still be tacky.

I promise the one in this post was painted with just one color plus white.  I see that at least on my monitor, parts of it look like blue was added in, but I assure you that is an artifact of the limitations of technology to accurately represent my work, a problem I had feeble hope wouldn't be a problem in a MONOCHROMATIC PAINTING!!--but there you have it.

So, for once, I am actually a number of paintings ahead of my blog! 

I'm thinking of changing the font of my blog or the size of the letters or something.  

Let me know if you like one of these fonts better. 
Let me know if you like one of these fonts better.   
Let me know if you like one of these fonts better.  
I mean, please let me know if you like one of these fonts better...

Thanks for watching!

30 in Sept 2014 - Ode to Fall, which Needs no Ode from Me!

Acrylic by palette knife, 6x8"

Being an artist can be quite humbling.  I have detected a pattern in my creative life.  It seems as soon as I paint something I really like (such as the one in the last post), I expect I'm going to be able to repeat the process and come up with something I like equally well.  But what happens instead is I find it almost impossible to make the next few paintings work, even if I'm using similar methods.  

The past week has been me slugging it out with a couple of paintings that did not seem to want to be birthed!  The above is one of them.  I wasn't even sure if I would show it here, but after letting it go for a few days, took another look and decided you may see it.  The other one, I thought was a lost cause, but peeked at it today and may give it one more go (sigh....).

The intensity of painting this week, along with the extra blog hopping last week (translate, laptop time) has resulted in a somewhat blown out neck for me right now.  I have missed seeing my friends' work this week, and hope to catch up--maybe after I visit a chiropractor!  But I still love you guys...

And thank you all for Watching!

Burnsville Paint-Out

Watercolor with Colored Pencil, 8x10ish"

A few weeks ago, I participated in a paint-out held by the Toe River Arts Council (TRAC) in Burnsville, NC.  This is  NOT the painting I did for the paint-out!  Actually, I painted two similar starts, and the underpainting for this one was the first start.  The second start, I completed for the Paint Out, and it has been hanging in TRAC gallery for the month, until recently when the show ended.   Another artist was kind enough to pick it up for me when the show ended, since I live further away, so I still don't have the painting back.

It has been very odd for me to not have easy access to that painting for the past month, and I realize now that a big part of my painting process is looking, looking, looking at my painting after it is sort of finished.  In fact, I can be in the middle of doing something completely different (laundry for instance) and suddenly take a notion and be compelled to drop everything and go look at a recent painting.  More than once.

After a couple of weeks of not getting to look at my paint-out painting, I realized that I had the original start at home and could play around with it.  I took liberties with the grasses in front of the trees, obviously embellishing the colors, with the intention to play and see how the colored pencils worked with the paints.  Playing and learning, great fun! 

Thank you for looking and for being with me through these experiments...

30 in January 2014, Is it really possible to sum up this amazing experience?

I have already stayed up way too late trying to create this collage, so will hopefully be brief and will get to bed soon.  The issue with the collage, created at PicMonkey.com, was that the site kept wanting to change the format (shape) of my paintings.  This was a compromise I could live with, but it took forever!

I am filled to the brim with gratitude to everyone who participated in this challenge--what a privilege to see all your wonderful work,  meet new artists via our blogs and Facebook, deepen relationships with artist friends I already had, and learn so much more about myself as a painter.   I am so proud of all of you and look forward to seeing your work on an on-going basis. 

One of the artists who contacted me through the challenge is actually fairly local to me and is part of an artist guild that I am going to join.  I am so excited that my world of in-person artist friends is about to expand, and some of them will even go out plein air painting together!
 
I painted way more paintings than I imagined I would, WAY more than I have ever completed in any of the previous two challenges!  I serendipitously began the use of the palette knife with my acrylics and find that this is a method I want to continue to explore.

I found an area I want to continue in a series, namely, the little legs in tights above.  I have another one on my easel that I was not willing to rush to finish tonight,  just to have one more completed painting.  I will show it to you in its right time.  If anyone has photos they are willing to send me to work from--little toddler legs in interesting tights, clothing, or shoes, I would love to increase my file of references for this series.  THANKS!

Thank you to Leslie Saeta, our wonderful leader and convener of this challenge, for giving us all the gift of this opportunity!

Finally, a question for the artists in the group--does anyone have any ideas on how to continue the community we have developed here, along with the obvious idea of continuing to visit each others' blogs?

Leggings - Acrylic with Palette Knife, 30 in 2014

Acrylic with Palette Knife, 8x10"

This photo was shot about 6 years ago and painted sometime that year.  The owner of the legs is also the owner of the original painting, my niece T.  I wanted to see how it would work to use a palette knife to paint it again.  Unfortunately, T and the painting live far away, so I will have to rely on my sister to tell me how this one compares with the original.  Funny how an image can stay with you for years!

Congratulations to all my artist friends who are completing the 30 in 30 Challenge.  I am so proud of you.  Congratulations, too, to my good friends who decided not to do the challenge this time.  You all are also doing fabulous work!

Five Things I Know So Far about Acrylic Palette Knife Painting

Acrylic with Palette Knife, 8x10"

 "You can't hurry art..."  Like this one--this one took two days of my spare time to complete.  I've actually painted from this photo before, with brushes, oil paints, and the help of a teacher.  Yesterday, I was staring at the GOBS of leftover paint I had on the palette from doing the quilt painting.  I recognized that the palette was perfect for this reference photo!  Of course, I couldn't find the earlier version of the painting until today, so I didn't have the benefit of what I had learned the first time until round two, today.

This kitchen belongs to one of my blog readers.  Extra points to you if you figure out it's yours!  Don't worry, though, if you don't figure it out.  I just got my artistic license, and I used a lot of it with this painting...

I missed a few days of the 30 in 30.  I wasn't feeling well, and needed downtime with my family.  But don't feel bad for me--I'm not mad at myself or anything.  In fact, yesterday I bought myself some presents as rewards for what I have accomplished so far.  I am now the proud owner of a new ArtByte from DPW and two out-of-print art books from Amazon.  I respond well to rewards!  I'm so encouraged, I'm going to continue to paint--maybe I'll deserve even more...

This is the most ambitious palette knife painting I have completed.  Here is what I have learned so far about Acrylic Palette Knife painting:

1) Use medium!  I am still experimenting to determine my favorite medium--what I do know for sure is that medium adds body to the paint, which makes the paint behave better for palette knife painting.  As a bonus, the medium really stretches the paint!

2)  The paint stays wet a long time.  I have to learn to use wet-on-wet techniques, for at least part of what I am doing.  I am used to wet-on-dry!

3)  And when the paint does dry, those palette knife ridges can sometimes get in the way of what I need to do next!  I don't mind any of the ridges once the painting is complete--the ridges are just a function of having used a knife.  But the ridges can be tough to work with when I still want to do some overpainting.

4)  Sometimes I want to use a brush in the middle of the palette knife painting.  So I do.  And that's ok.  Except when it's not.  And then I can fix it.  

5)  I have a lot to learn about Acrylic Palette Knife Painting, but am so excited to practice and learn.

Thanks for visiting and Watching!

Practicing Scales

                                             Acrylic with Palette Knife, 6x6"

I wanted to merely practice my palette knife technique without having to focus on all the elements that go into making a painting, so I decided to paint this quilt pattern, as a musician would practice scales.  I thought it would be simple and I would probably knock out a couple of these tonight.  Ha!!  The maniacal laughter you're hearing is me, contemplating how much work it was to even get the drawing onto the paper, let alone to make sure the colors were in the right place, not to even mention using the knife to get the paint into all the little spaces.   This is probably a good time to note I have a truly renewed admiration for quilters!

I started at the upper right, and you may be able to see that I was quite focused in the first few upper right squares to get the paint on smoothly.  After several squares, I wanted to hang it up.  But I stuck it out, soon realizing that the nature of palette knife is that things are not going to be perfect and that's why we use the knife.  So, slap on some more paint and get on to the next shape!

Remind me next time I create an exercise to practice the looseness of palette knife technique, I should be painting rainbows or something else where I can make sweeping motions with the knife!

 I want to remind all the artist bloggers out there that the important thing about this month's challenge is NOT to end up with 30 paintings.  The important things are to learn more about your working methods, your materials, your preferences, and your sources of inspiration.  We don't want anyone finishing this challenge being burned out on painting.  Please be kind to yourselves and give yourselves a break when doing so would be wise.

Stormy Sky - 30 in January 2014

                                           Acrylic with Palette Knife, 6x6"




I started this one with 20 minutes of my lunch hour yesterday and finished it last night when I got home.  This one is from one of my photos.  I found it very difficult to get soft cloud edges with the palette knife and ended up using my finger, which is very strange for me, since I normally paint with gloves on to avoid touching the paint.  I wonder if I can prevail upon two friends who usually paint with palette knives to do a demo of clouds on their blogs--Carol, Jacklyn? 

How is everybody who is in the challenge doing at this point?  I find myself needing to be more into my own thing and having less time to look at everyone else's work.  Yesterday morning, I used my time before work to scan and blog the painting on yesterday's post, and that is what I will need to do this morning, too.  Then, my next time to check email and Feedly is normally my lunch hour, but I painted on my lunch hour.  And last night, I also painted.  I haven't had time to look at all the paintings on Leslie's blog in a few days.  I know it's a good thing for my painting life to be more focused on my own process, but I do miss all the inspiration!  So, how are you guys doing???

Warmer Winter Morning Plein Air, acrylic with palette knife

                                          Acrylic Plein Air with palette knife, 6x6"



 I got up early and went out plein air yesterday morning...yes, Watchers, this one was completed actually outside, not huddled inside looking out a window.  The temps are up and my acrylics (not to mention myself) can be outside again!

I see I am getting some glare from the scan, perhaps due to having used some gloss medium in with the mix of mediums I am using.  I've been experimenting with mediums to use with the acrylics and palette knife, to give the paints more body.  Also, in the painting, the sky is much grayer than the blue my monitor is showing.  You would think that would be an easy fix in Photoshop Elements, but so far it is not!  It probably means the rest of the colors are off, too. 

Have a great day everyone...

Second Foggy Morning Painting from Yesterday

                        Acrylic Plein Air (out the window view) w/palette knife, 6x6"

This is the second one from yesterday.  I did go out plein air painting this morning, but will have to wait till tomorrow to show you that one, since I don't want to put it on my scanner today (still may be slightly tacky).

I want to share some words of wisdom from Leslie Saeta, our leader in this challenge.  I think her words are wise and wonderful:

"...I think it is important to reflect on what we have learned from this challenge so far. Painting for 30 days is not about creating 30 masterpieces to sell. It's literally impossible to paint your best when you undertake a challenge like this. Rather, it's about the process we have to go through to paint a painting every day....

When faced with a Challenge we are more focused and excited about reaching our goal. What you will learn this month will help you all year. You will have an easier time painting those masterpieces."

It's a relief to know I am not expected to create "masterpieces" every day.  I think some of this work is among my best and most is....practice, brush mileage, showing up and doing the work.  Not to mention, trying new things (palette knife!).  In regards to this painting above, I can see things I could change.  However, the fog is gone, the moment is past--on to the next!



Many thanks for all the love you are sending to my sister's dog Claire.  I think it's working!  Although she is still in the hospital fighting for her life, her bloodwork levels are starting to show some hope for her survival!

Last Red Azaleas

                                                                                                                     acrylic, 6x6"

Yesterday's painting offering.  I'm going to stop complaining about how the photos don't look true to the colors of the painting....I'm putting you on notice that I will be working to correct the issue, probably by changing the software I am using for photo editing.  Until I do, please just assume I am not happy with the photos, so we can move on.   I wonder whether other artists are satisfied with "close enough," or if they keep editing until the photo looks perfect.  One of my friends told me she thinks the photos will never completely match the paintings.  She's an Off-Blog Commenter.  I have a few of those among the Watchers.  I am very grateful for all of you.

For the first time since I started my painting practice, I left in the middle of a painting and returned to finish it.  I really had to go somewhere for about 30 minutes yesterday, and I think maybe the pause was good for the painting, because the first layers of paint had a chance to dry well before I got into layering over them.  I like to paint wet over dry, but sometimes with acrylics, I end up painting wet over kind of sticky.  I wonder if the painting is still considered alla prima since I stopped for a half hour--I'm not really concerned about the label, just curious.

You can see I am still having an ellipse problem.   I'm expecting improvement with practice.  Sometimes the ellipses are a matter of a drawing/seeing/mind distortion and sometimes a paint-handling issue.  In Last Red Azaleas, the ellipse was a seeing distortion. 

I feel kind of guilty cutting flowers to paint them.  I usually leave flowers to grow where they are.  The azaleas were on the way out, though, so how guilty can I let myself be?  It's supposed to be quite cold tonight.   I went around the yard trying to cover up plants and cut some flowers I didn't think I could cover well.  I guess they would have died tonight anyway.  We'll see what's left in the morning....

Hi Brooke!  Hi T!